While not quite automatic, configuring this connection was straightforward and worked as expected. In my case, I used the Revoice Pro Link and Pro Monitor plug-ins to transfer audio from my DAW into the multi-track layout of Revoice, then back again. This is particularly convenient for later tweaks. In standalone mode, Add audio file and Export modes perform as you would expect, along with the ability to save Revoice sessions with associated files. On occasion you may run Revoice on its own during an editing session, but in musical applications it’s more common to run it synchronised alongside your preferred DAW. The rest will simply experience it as a standalone application. PreSonus Studio One, Logic Pro X 10.4 and now Cubase 10 users presently have the joy of using the integrated ARA 2 (Audio Random Access) plug-in version of Revoice Pro. Things can get pretty complicated, if you let them.

Alternate audio segments can even be archived in playlists of up to four layers to allow further experimentation. Many tracks will end up being used for dual functions, with some producing new tracks that then act as guides or dubs for another generation of outputs. In the broadest terms, Revoice Pro is an editing and processing multi-track program in which mono and stereo audio tracks are either processed (Dub and Warp tracks), act as analytical sources for control parameters (Guides), or are output as the product of one of these processes. Instead what I found was a hub of time and pitch manipulation for both spoken and sung vocal recordings… along with any other monophonic instrumental sources you choose to throw at it. When I received my review copy of the fourth edition of Synchro Arts Revoice Pro I must confess I thought I’d be testing a straightforward vocal tuning application.

Revoice pro 4 payment plan